Maddalena Pennacchia, Deborah Cartmell
Introduction

(pagine: 7-16)

DOI: 10.7370/98329

Abstract

Davide Del Bello
Mary Queen of Nowhere: History, Drama and the Paradox of Intermedial Identity in the Rhetoric of Mary: Queen of Scots

(pagine: 17-40)

DOI: 10.7370/98330

Abstract

Chiara Battisti
The Iron Lady: (Bio-)Playing with Female Subjectivities and (Bio-)Picturing Alzheimer’s

(pagine: 41-56)

DOI: 10.7370/98331

Abstract

Francesca Guidotti
Tolkien: The Man Behind the Myth

(pagine: 57-76)

DOI: 10.7370/98332

Abstract

Saverio Tomaiuolo
A Poet is Born, not Mad(e): John Clare’s Afterlives

(pagine: 77-96)

DOI: 10.7370/98333

Abstract

Michela Compagnoni
Kenneth Branagh’s Ultimate Shakespeare:Kenneth Branagh’s Ultimate Shakespeare:

(pagine: 97-114)

DOI: 10.7370/98334

Abstract

Alessandra Petrina
Where Would you Fit the Coconuts? The Reinstatement of Sexual Stereotypes in a Mock-Biopic

(pagine: 115-128)

DOI: 10.7370/98335

Abstract

Maddalena Pennacchia Shakespearean Actors and Hollywood Stars: Stage and Screen Celebrities in My Week with Marilyn (2011) and Burton and Taylor (2013)

(pagine: 129-148)

DOI: 10.7370/98336

Abstract