C. Maria Laudando, Márta Minier
Introduction: Performing Narrative across Media

(pagine: 7-22)

DOI: 10.7370/91004

Abstract

Márta Minier
Adapting ‘Real-life’ Material: Metatheatrical Configurations of Authorship and Ownership of Story in Contemporary British Verbatim Theatre

(pagine: 23-40)

DOI: 10.7370/91005

Abstract

R. Lyle Skains
Dissonant Fabulation: Subverting Online Genres to Effect Socio-Cognitive Dissonance

(pagine: 41-48)

DOI: 10.7370/91006

Abstract

Pierpaolo Martino
From George Orwell to David Bowie: Performing Dystopian Narratives in the Diamond Dogs Album and Show

(pagine: 59-74)

DOI: 10.7370/91007

Abstract

Rosemary Kay
Hybridised Genres: Accessing Spaces Conventional Hybridised Genres: Accessing Spaces Conventional

(pagine: 75-88)

DOI: 10.7370/91008

Abstract

Alessandra Ruggiero
Performing Rituals of Self-Narration: Benjamin Zephaniah’s Storytelling

(pagine: 89-102)

DOI: 10.7370/91009

Abstract

Lucia Esposito
What is Your Story Now? Life Narrative under Threat in Douglas Coupland’s ‘Extreme Present’

(pagine: 103-116)

DOI: 10.7370/91010

Abstract

Sara Soncini
Drama on the Move: Intermedial Dialogue in Caryl Churchill’s Love and Information

(pagine: 117-130)

DOI: 10.7370/91011

Abstract

Mariacristina Cavecchi
Tim Crouch’s ‘Transplant’: ENGLAND’s Performing Narrative in Art Galleries

(pagine: 131-144)

DOI: 10.7370/91012

Abstract

Silvia Pireddu
‘Talking Pictures’: Digital Storytelling and Performance in Heritage Communication

(pagine: 145-163)

DOI: 10.7370/91013

Abstract

Francesco Cattani
Collage and Decollage: A Multi-Media Approach to Black and Asian British Identity

(pagine: 163-176)

DOI: 10.7370/91014

Abstract

Anna Maria Cimitile
Montage Epic in John Akomfrah’s Vertigo Sea: The Politics and Aesthetics of Multiscreen Narrative

(pagine: 177-192)

DOI: 10.7370/91015

Abstract

C. Maria Laudando
Of Trees and Flipbooks: Multimedia Wounded Passages in William Kentridge’s Second-hand Reading

(pagine: 193-214)

DOI: 10.7370/91016

Abstract