Serena Guarracino, Tiziana Morosetti
Introduction. Postcolonial Embodiments in Contemporary Performance

(pagine: 7-26)

DOI: 10.7370/87677

Abstract

Giuseppe Sofo
“The Freedom of the Thief”: Derek Walcott’s The Joker of Seville as a Cross-cultural Dialogue with Tirso de Molina

(pagine: 27-50)

DOI: 10.7370/87678

Abstract

Indranil Banerjee, Shouvik Banerjee
“The Real Australian Story”: Studying Kullark as a Reassessment of Cultural Identities

(pagine: 51-66)

DOI: 10.7370/87679

Abstract

Giovanna Buonanno
Black British Women’s Theatre in the 1980s and the Politics of Representation

(pagine: 67-82)

DOI: 10.7370/87680

Abstract

Paola Della Valle
Acting Agency in Aotearoa New Zealand: Hone Kouka’s and Briar Grace-Smith’s Debut Plays

(pagine: 83-104)

DOI: 10.7370/87681

Abstract

Olakunbi Olasope
Lament as Women’s Speech in Femi Osofisan’s Adaptation of Euripides’ Trojan Women: Women of Owu

(pagine: 105-120)

DOI: 10.7370/87682

Abstract

Gioia Angeletti
Embodied Otherness and Hybridity: David Greig’s The Bacchae and the Reprise of Ancient Greek Tragedy

(pagine: 121-140)

DOI: 10.7370/87683

Abstract

Annalisa Piccirillo
Embodying Otherness: Nelisiwe Xaba’s Fremde Tänze

(pagine: 141-160)

DOI: 10.7370/87684

Abstract