Domenico Lovascio, Lisa Hopkins
Introduction
Ancient Rome and English Renaissance Drama

(pagine: 9-20)

DOI: 10.7370/86639

Abstract

Julia Griffin
Cato's Daughter, Brutus's Wife: Portia Agonistes

(pagine: 21-40)

DOI: 10.7370/86640

Abstract

Cristiano Ragni
Dido in Oxford
William Gager's Ovidian Play in Elizabethan England

(pagine: 41-62)

DOI: 10.7370/86641

Abstract

Alisa Manninen
Speech and Spectacle as Political Partipation for Shakespeare's Roman Women

(pagine: 63-82)

DOI: 10.7370/86642

Abstract

Camilla Caporicci
"Gods and goddesses - All the whole synod of them!": Shakespeare's References to the Gods in Antony and Cleopatra

(pagine: 83-102)

DOI: 10.7370/86643

Abstract

Lisa Hopkins, Sharon McDonnell
Romish poison: Claudius Tiberius Nero

(pagine: 103-122)

DOI: 10.7370/86644

Abstract

Tommaso Continisio
"No matter: let his mangled body lie". Emblematising Ambivalence in Thomas Heywood's The Rape of Lucrece

(pagine: 123-142)

DOI: 10.7370/86645

Abstract

Kibrina Davey
To Act or Not to Act?: Performing the Passions of Cuckoldry in Philip Massinger's The Roman Actor and The Duke of Milan

(pagine: 143-162)

DOI: 10.7370/86646

Abstract

Cristina Paravano
Glimpses of Rome in the Theatre of Richard Brome

(pagine: 163-184)

DOI: 10.7370/86647

Abstract

Domenico Lovascio
Julius Caesar, Translatio Imperii and Tyranny in Jasper Fisher's Fuimus Troes

(pagine: 185-212)

DOI: 10.7370/86648

Abstract

Maddalena Pennacchia
Performance Review
Della rovina, di tempo e di bellezza. Shakesperare e il destino di Roma, a Palladium Theatre Production (2016)

(pagine: 213-218)

DOI: 10.7370/86649

Abstract