Daniela Caselli, Caroline Patey
Introduction 

(pagine: 5-6)

DOI: 10.7370/87699

Abstract

Dirk Van Hulle
The Archival Turn and the Archival Turnip: Towards a Critical Bilingual Edition of Samuel Beckett's Work 

(pagine: 21-36)

DOI: 10.7370/87700

Abstract

Margaret Konkol
Of Sonnets and Archives: Robert Graves, Laura Riding, and the Erasure of Modernist Poetry 

(pagine: 37-56)

DOI: 10.7370/87701

Abstract

Margery Palmer McCulloch
Edwin and Willa Muir in Prague: A Biographical Case-Study in Twentieth-Century Archival and Creative Writings 

(pagine: 57-74)

DOI: 10.7370/87702

Abstract

Bryony Randall
"[T]hey would have been the first to correct that sentence": Correcting Virginia Woolf's Short Fiction 

(pagine: 75-94)

DOI: 10.7370/87703

Abstract

Teresa Prudente
From "The Aloe" to "Prelude" and from The Moths to The Waves: Drafts, Revisions and the Process of "Becoming-Imperceptible" in Virginia Woolf and Katherine Mansfield 

(pagine: 95-118)

DOI: 10.7370/87704

Abstract

Federico Sabatini
Archiving the Unarchivable: The Role of Archives in the Biographical Writing of Virginia Woolf and Lytton Strachey 

(pagine: 119-138)

DOI: 10.7370/87705

Abstract

Roberta Gefter Wondrich
Neo-Victorian Archive Novels: Heuristic Obsessions and the Reimagined Past 

(pagine: 139-158)

DOI: 10.7370/87706

Abstract

Elisa Bolchi
"Italy means most to me": Richard Aldington, Politics, and Translation in Two Italian Archives 

(pagine: 159-178)

DOI: 10.7370/87707

Abstract

Sara Sullam
(Middle)browsing Mondadori's Archive: British Novels in the Medusa Series, 1933-1945

(pagine: 179-202)

DOI: 10.7370/87708

Abstract